Ripley 8 was the eighth successful clone of Ellen Ripley, grown aboard the USM Auriga roughly two hundred years after Ripley's death on Fury 161. Created by United Systems Military scientists who wanted the Queen embryo that had been inside her, the clone inherited both human memory fragments and Xenomorph traits. In Alien: Resurrection she escaped the Auriga with the crew of the Betty, killed the Newborn, and looked down on Earth as a stranger. Expanded stories later followed her through Aliens: Original Sin and Aliens versus Predator versus The Terminator.

Cloned On The USM Auriga

Ripley 8 being cloned aboard the USM Auriga

In 2381, military scientists aboard the Auriga used blood samples recovered after Fury 161 to rebuild Ripley cell by cell. The project was run by Dr. Mason Wren, with Dr. Jonathan Gediman as his lead researcher on the cloning floor. The first six clones failed as useless monstrosities. Number seven looked human enough to attempt Queen extraction, then also failed. Ripley 8 was the first clone stable enough for the surgery: doctors cut the Queen chestburster from her chest, sealed her up, and kept her alive as both specimen and side effect. She woke with pieces of Ellen Ripley's life still in her head, enough to recognize a pulse rifle, hate the science around her, and know what a Xenomorph was before anyone explained it.

Hybrid Traits

Ripley 8 on the USM Auriga

The separation between human and Xenomorph DNA was never clean. Ripley 8 had acidic blood, enhanced strength and reflexes, and an empathic pull toward the creatures bred from her Queen. The cloned Queen itself changed too: mixed with Ripley's DNA, it later developed a womb and gave live birth instead of relying only on eggs. Those same tainted genes fed into the Newborn, the pale hybrid that imprinted on Ripley 8 as its mother after killing the Queen.

Relationship With Call

Ripley 8 and Call in a holding cell aboard the USM Auriga

Annalee Call boarded the Auriga with the Betty crew already planning to sabotage the Xenomorph program, and at first she treated Ripley 8 as another specimen that should not exist. That hostility cracked once Call's own secret came out: she was an android, second-generation synthetic, hiding among mercenaries who hated machines. Ripley 8 recognized a fellow made thing. The two began covering each other through the ship's collapse, with Call hacking systems Ripley could not reach and Ripley fighting threats Call could not survive alone. By the time they left the Auriga, Call was the closest thing Ripley 8 had to a chosen ally rather than a remembered ghost from Ellen's life.

Escaping The USM Auriga

The Betty crew with Ripley 8 aboard the USM Auriga

When the Auriga's Xenomorphs broke containment, Ripley 8 left her cell and fell in with what remained of the Betty mercenaries. Elgyn was already dead, killed early in the outbreak, leaving Call, Johner, Vriess, Christie, Hillard, and the rest of the salvage crew scrambling for a way off the ship. They also picked up Purvis, one of the kidnapped hosts still carrying a chestburster, USM soldier Distephano, and Dr. Wren, who had nowhere left to hide once his specimens were loose. Ripley 8 was the one person who understood the hive well enough to keep the group moving while the ship's AI Father locked onto an Earth return course that would have seeded the planet.

Meeting The Clones

Ripley 8 confronting the failed clones aboard the USM Auriga

During the escape, Ripley 8 found the cloning lab and the earlier failures still sealed in the tanks. The first attempts were barely human, closer to Alien flesh than a person, and each later clone looked more like Ripley until the seventh, which was alive enough to beg for death. Ripley 8 burned that clone, then torched the rest of the tanks. Johner called it a waste of ammo. She kept firing anyway.

Underwater Ambush

Ripley 8 struggling with a facehugger in the Auriga flooded gallery

The flooded coolant gallery came next. Xenomorphs hunted them underwater and dragged Hillard under before the survivors could climb free. When Ripley 8 surfaced into the trap above, a facehugger clamped onto her. She pulled it off her face and killed it, one of the rare successful facehugger removals in the series. On the ladder out, Christie got Vriess clear and then fell to his death after an acid spit on his face, thinning the group again. Near the Betty, the hive pulled Ripley 8 into the waste-tank nest. While she was gone, Call started getting the Betty ready to leave.

The Newborn

The Newborn shows affection towards Ripley 8

In the Auriga waste tank nest, Ripley 8 watched the cloned Queen, already changed by shared DNA, give a live birth instead of laying eggs: the Newborn, a human-Xenomorph hybrid that rejected the Queen, killed her, and turned to Ripley 8 as its mother. The creature followed her onto the Betty, crushed Distephano, and began torturing Call before Ripley 8 stopped it. Using her own acidic blood, she burned a hole through a viewport and let vacuum tear the Newborn apart, killing the thing that still reached for her as family.

Landing On Earth

Ripley 8 and Call overlooking ruined Paris after landing on Earth

With the Auriga destroyed on approach, the Betty carried Ripley 8, Call, Johner, and Vriess down to Earth. From the windows she finally saw the planet Ellen Ripley had spent a lifetime trying to keep clean of the species, then said she was a stranger there herself. The theatrical cut leaves them descending over that scarred surface. The extended ending puts the Betty down in a ruined Paris, with Ripley 8 and Call looking out over the wreck of a city that no longer resembled any home Ellen remembered.

Ripley 8 in the Alien Resurrection Comic

Ripley 8 in the Alien Resurrection comic adaptation

Dark Horse's Alien Resurrection comic compressed the film into two issues in late 1997, scripted by Jim Vance from Joss Whedon's screenplay and drawn by Eduardo Risso, with covers by Dave McKean. It stayed uncollected for decades until Marvel reprinted it in Aliens: The Original Years Volume 3 in 2022. Several beats diverge from the movie: Ripley 8's acid blood is green like a pure Xenomorph's, she destroys the clone lab with a shockrifle instead of a flamethrower, and the seventh clone wears a swollen Xenomorph-like head rather than a closer copy of Ripley's face. In the hive she is cocooned beside Gediman instead of left on the floor, and after the Newborn kills the Queen it begins to eat her. The comic ending drops the Betty into snow near a city, a colder landing than the Special Edition's ruined Paris desert.

Ripley 8 in Aliens: Original Sin

Cover art for Aliens: Original Sin

Aliens: Original Sin continued Ripley 8's story after Resurrection with Call, Johner, and Vriess still aboard the Betty. The novel sent them toward Byzantium Station and another Xenomorph crisis tied to the Mala'kak, an iteration of the beings once called Space Jockeys. Ripley 8 remained in command of the salvage crew while the United Systems Military reeled from the Auriga's loss and Weyland-Yutani began clawing back influence. Later material such as Alien: Sea of Sorrows treated Alan Decker as a descendant linked to Ripley 8 rather than to Amanda Ripley's dead-end film-canon line, keeping the clone's bloodline alive in the expanded timeline.

Ripley 8 in Aliens Versus Predator Versus The Terminator

Ripley 8 on the cover of Aliens versus Predator versus The Terminator

The Dark Horse crossover Aliens versus Predator versus The Terminator pushed Ripley 8 into a later war against Alien-Terminator hybrids and a dormant Skynet program trying to rebuild itself. She fought alongside Yautja hunters, earned a blooding from a Predator clan, and became one of the few humans marked that way in licensed comics. At the end of the series she sacrificed herself to destroy the final hybrid threat, echoing Ellen Ripley's dive into the lead furnace on Fury 161. Call also appeared in that crossover, continuing their Resurrection partnership into the comic fight against the hybrids.

Sequel Hopes

Ripley 8 from Alien: Resurrection

A direct film sequel to Alien: Resurrection was planned almost as soon as the movie finished. Joss Whedon, who wrote Resurrection, drafted an Earth-set Alien 5 that would have followed Ripley 8 and Call after the Betty's return, but Sigourney Weaver rejected the setting and felt it stripped Ripley of what made her human. Fox later chased other fifth-film ideas, including Neill Blomkamp's Alien 5, which would have ignored Alien 3 and Resurrection entirely and returned to Ellen Ripley and Hicks after Aliens instead of continuing Ripley 8. In late 2025 Weaver described a newer treatment by producer Walter Hill: roughly fifty pages set about two hundred years on, with Ripley remembered as a faded figure in a world that no longer valued her past. Weaver called that version thoughtful and unconventional, and stressed it was still only early pages with no greenlight.

Merchandise

NECA Ripley 8 action figure facing a Resurrection Xenomorph

NECA put Ripley 8 into its 7-inch Alien line as a Series 14 figure based on her look in Alien: Resurrection. The release uses Sigourney Weaver's likeness with the clone's short hair, brown combat vest, and knee-padded trousers, plus Resurrection-era weapons and a basketball accessory nodding to the Auriga gym scene. She sits alongside NECA's browned Resurrection Xenomorph figures, which match the film's wetter, more organic warrior design rather than the classic black Aliens drone.


Appearances

  • Alien: Resurrection (1997)
  • Alien Resurrection (1997 comic)
  • Alien Resurrection (2000, PlayStation)
  • Aliens versus Predator versus The Terminator (2000)
  • Aliens: Original Sin (2005 novel)

Conclusion

Ripley 8 began as a military mistake: a clone built to harvest a Queen, then left alive with Ellen Ripley's memories and Xenomorph blood in the same body. She ended Resurrection staring at Earth she had never known, and in the comics ended the way Ellen had, choosing death over letting the species win another round.